Anya Traditional Plum Chinoiserie Bird Wallpaper
A plum chinoiserie in birds and branching foliage. The darkest wall in the collection, and the one that makes everything set against it look older and better.
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The Sunlit Edit
The Autumn
Estate Edit
A Layered Fall Collection for the Collected Home
Start with the walls
The walls decide the temperature of everything else. In an estate scheme that means committing to depth early -- plum, chocolate, forest -- before a single piece of furniture is chosen.
Schumacher Before Midnight Chocolate Floral Wallpaper
Schumacher's Before Midnight, a chocolate floral drawn loosely enough to read as texture from across a room. Warmth without weight.
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Schumacher La Foret Autumn Green Forest Landscape Wallpaper Panel Set
A painted forest landscape issued as a panel set. Treated as architecture rather than pattern, it gives a dining room a horizon.
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Heirloom Stripe Sandstone Fibrous Wallpaper
A sandstone stripe on a fibrous ground. The quiet option: structure and tooth, no motif, a neutral that still has something to say.
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Then the floor
Four rugs, three of them patterned. Pattern underfoot is the safest place to be brave: you see it in fragments, between furniture, never all at once.
Franchesca French Country Green Wool Oushak Patterned Hand Knotted Rug - 10'x14'
A green Oushak at 10' x 14', hand-knotted. The largest rug here and the one to plan a room around rather than fit into it.
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Frescia Updated Traditional Green Floral Lattice Patterened Rug - 9'2"x12'5"
A green floral lattice at 9'2" x 12'5". Pattern held to a grid, so it organises a room instead of competing with it.
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Gaia Brown Wool Floral Lattice Patterned Hand Knotted Rug - 8'9"x11'9"
Hand-knotted wool at 8'9" x 11'9", the lattice worked in browns. Reads as an antique already broken in.
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Aisley French Country Brown Wool Floral Patterned Rug - 2'6"x8'
A brown floral runner at 2'6" x 8'. For the hall or the length of a kitchen, where a rug is mostly seen underfoot.
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The light
Amber glass, aged brass, woven fibre. Warm light is what separates a collected room from a furnished one, so the fittings are chosen for the colour of what they cast.
Celine Modern Brass Leather Disc Cascading Chandelier
Brass discs on leather, cascading. Sculptural enough to carry a double-height stair, disciplined enough not to shout about it.
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Bellatrix French Country Natural Woven Abaca Gold Iron Chandelier
Woven abaca on a gold iron frame. Natural fibre against metal -- the texture keeps a formal room from going stiff.
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Corin Updated Traditional Amber Glass 6 Light Chandelier
The six-light Corin in amber glass. Warm cast, generous spread; the larger of the two Corins and the one for a full dining table.
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Corin Updated Traditional Amber Glass 4 Light Chandelier
The four-light Corin. Same amber glass and traditional line, scaled for a breakfast room or a smaller landing.
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Valeria Updated Traditional Brass Amber Glass Chandelier - 28"
Brass and amber glass at 28 inches. A single considered gesture over an island or an entry table.
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Griffin Coastal Beach Gold Capiz Dome Pendant
Gold capiz in a dome. The shell reads as texture, not motif -- light comes through it softly and evenly.
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Clove French Country Antique Gold Leaf Stem Floor Lamp
Antique gold leaf on a slender stem. Height and a little shine in the corner of a room that has run out of surfaces.
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The dining room
Two round tables, at two scales, and the chairs that answer them. Round because a collected house rarely seats the number it planned for.
Berlin Updated Traditional Brown Mango Wood Round Dining Table - 72"
Brown mango wood, round, 72 inches. The larger round -- for a dining room with the floor to give it, and worth the floor.
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Alaine Updated Traditional Brown Walnut Round Dining Table - 60"
Brown walnut, round, 60 inches. Round tables seat awkward numbers gracefully; walnut keeps it from reading new.
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Brently Broadway Olive Linen Dining Chair
Olive linen on a clean frame. Colour in the upholstery rather than the pattern, so it sits under a papered wall without argument.
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Rory Rustic Lodge Brown Velvet Oak Dining Arm Chair
Brown velvet on oak, with arms. The chair to put at the ends of the table, where people sit longest.
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Marielle Fern Green Performance Velvet Sussex Brown Side Chair
Fern green performance velvet on a Sussex Brown frame. Green that stays green in low light, in a weave built for daily use.
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Fayth Broadway Dune Linen Counter Stool
Dune linen at counter height. Pale enough to disappear against a stone island, tailored enough to be worth looking at.
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Seating to sit still in
Two upholstered pieces carrying the collection's pattern -- one enclosing, one low.
Juliette Pine Needle Sussex Brown Bergere Chair
A bergere in pine needle, on a Sussex Brown frame. Enclosed, upright, and meant for reading rather than sprawling.
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Anslie Verdant Tapestry Velvet Ottoman
A verdant tapestry velvet ottoman. Pattern at the lowest point in the room, which is exactly where it can be busiest.
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The case pieces
Cabinets, dressers, nightstands. These are the pieces that hold the room's line; everything decorative is arranged against them.
Bien French Country Black Wood Glass Cathedral Arched Cabinet
Black wood with cathedral-arched glazing. Architecture in a single piece -- put it where a room needs a vertical.
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Anatole French Country Grey Oak Cabinet
Grey oak, French country in proportion rather than in decoration. Restraint that lets whatever sits on top of it register.
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Melrose French Country White Carrara Marble Brown Wood Double Dresser
White Carrara over brown wood, double width. Stone and timber in one piece, which is most of a material palette settled at once.
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Alban Updated Traditional Brown Wood Dresser
Brown wood, traditional lines, generous drawers. The unglamorous piece that makes the glamorous ones possible.
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Darius Modern Classic Cerused Oak Ribbed Nightstand
Cerused oak, ribbed. The ceruse catches light along the ribbing and keeps a dark bedroom from going flat.
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Arthur Updated Traditional Brown Walnut Wood Wide Nightstand
Brown walnut, wide. Wide nightstands read as furniture rather than accessories -- worth the wall space.
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The bedroom
One anchor, and the case pieces above do the rest.
Arden Updated Traditional Cream Linen Bronze Metal Canopy Bed - King
Cream linen on a bronze metal frame, king. A canopy draws the eye up and gives a bedroom the ceiling it was always owed, without closing it in.
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What finishes it
Textile, paint, glass and clipped green. The last ten per cent, which is the part that reads as collected.
Aubigny Traditional Brown Baroque Landscape Tapestry - 90x59
A brown baroque landscape at 90 x 59. Textile on the wall does what paint cannot: it absorbs sound and softens a hard room.
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Artichoke and Figs Painting - 16x18
Artichoke and figs, 16 x 18. Small, dark, and still life in the oldest sense -- best hung low, near where people sit.
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Ronin Traditional Gold Metal Wall Mirror - 42"
Gold metal, 42 inches. Sized to sit above a console without crowding it, and to bring the opposite wall into the room.
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Clove French Country Antique Gold Leaf Candle Holder - Set of 2
Antique gold leaf, set of two. Candlelight is the only light in this collection you can move.
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Marin French Country Green Boxwood Potted Topiaries - Set of 5
Boxwood topiaries, set of five. Clipped green repeated along a mantel or a table -- the most disciplined way to bring anything living indoors.
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